Oil On Canvas, Real Flavor of Old Masters

All Mary Cassatt 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
49886  
Mary readinf for her grandchildren, Mary Cassatt
  		 Mary readinf for her grandchildren   mk205 1880 Oil on canvas 55.9x100.3cm
49798  
Matador, Mary Cassatt
  		 Matador   mk205 1873 Oil on canvas 81.6x64cm
58335  
Maternal Kiss, Mary Cassatt
  		 Maternal Kiss   Maternal Kiss, 1896, Philadelphia Museum of Art
58332  
Maternite, Mary Cassatt
  		 Maternite   Maternite, 1890,
68459  
Miss Mary Ellison, Mary Cassatt
  		 Miss Mary Ellison   Miss Mary Ellison (1880, Mary Cassatt) located inside the National Gallery of Art's West Building in Washington, D.C. June 10, 2010
70946  
Miss Mary Ellison, Mary Cassatt
  		 Miss Mary Ellison   Miss Mary Ellison
67759  
moder och barn, Mary Cassatt
  		 moder och barn   1905 se
49811  
Mothe helping children a bath, Mary Cassatt
  		 Mothe helping children a bath   mk205 1880 Oil on canvas 100.4x65.4cm
3174  
Mother About to Wash her Sleepy Child, Mary Cassatt
  		 Mother About to Wash her Sleepy Child   1880
54458  
Mother about to wash her sleepy child, Mary Cassatt
  		 Mother about to wash her sleepy child   mk235 1880 Oil on canvas 100.5x65.4cm
49873  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 about 1905 Oil on canvas 92.1x73.7cm
81054  
Mother and Child, Mary Cassatt
  		 Mother and Child   Date 1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cjr
85085  
Mother and Child, Mary Cassatt
  		 Mother and Child   1890(1890) Medium Oil on canvas Dimensions Deutsch: 90 x 64.5 cm cyf
3129  
Mother and Child gvv, Mary Cassatt
  		 Mother and Child gvv   1888 Art Institute of Chicago
3148  
Mother and Child jjjj, Mary Cassatt
  		 Mother and Child jjjj   1901
3161  
Mother and Child vgvgv, Mary Cassatt
  		 Mother and Child vgvgv   1901 The Metropolitan Museum of Art, New York
3149  
Mother and Child vvv, Mary Cassatt
  		 Mother and Child vvv   1901
3168  
Mother and Child against a Green Background, Mary Cassatt
  		 Mother and Child against a Green Background   1897
49869  
Mother and children, Mary Cassatt
  		 Mother and children   mk205 about 1905 Oil on cnavas diameter 95.2cm
50575  
Mother and her child, Mary Cassatt
  		 Mother and her child   mk212 1891-92 Oil on canvas 73.7x60.3cm
49879  
Mother and her children, Mary Cassatt
  		 Mother and her children   mk205 1913 oil on canvas 109.3x85.1cm
42081  
Mother and Son, Mary Cassatt
  		 Mother and Son   mk166 1901 I Wave on cloth 81x70.6cm Metropolitan Museum of Art, New York
49830  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 about 1889 Oil on canvas 73.7x59.7cm
49850  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 1896-1897 Oil on canvas 55.2x43cm
49851  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 1897 Oil on canvas 60.3x71.7cm
49852  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 about 1897 Oil on canvas 64.8x80cm
49855  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 about 1899 Oil on canvas 81.6x65.7cm
49861  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 1900 Oil on canvas 71x59cm
49881  
Mother and son, Mary Cassatt
  		 Mother and son   mk205 1914 Oil on canvas 81.2x65cm
49891  
Mother and son in the boat, Mary Cassatt
  		 Mother and son in the boat   mk205 1910 Oil on canvas 98.7x129cm
3169  
Mother Berthe Holding her Baby, Mary Cassatt
  		 Mother Berthe Holding her Baby   1900
58313  
Mother Combing her Child Hair, Mary Cassatt
  		 Mother Combing her Child Hair   Mother Combing her Child's Hair, 1879, Brooklyn Museum
49854  
Mother doing up daughter-s hair, Mary Cassatt
  		 Mother doing up daughter-s hair   mk205 about 1898 Oil on tempera 63.9x80cm
49831  
Mother holding the kid, Mary Cassatt
  		 Mother holding the kid   mk205 1890 Oil on canvas 81.5x65.5cm
3186  
Mrs Duffee Seated on a Striped Sofa, Reading, Mary Cassatt
  		 Mrs Duffee Seated on a Striped Sofa, Reading   1876
58334  
Nurse Reading to a Little Girl, Mary Cassatt
  		 Nurse Reading to a Little Girl   Nurse Reading to a Little Girl, 1895, Metropolitan Museum of Art
3191  
Offering the Panal to the Toreador, Mary Cassatt
  		 Offering the Panal to the Toreador   1872-73
3193  
On the Balcony, Mary Cassatt
  		 On the Balcony   1873
54462  
On the Meadow, Mary Cassatt
  		 On the Meadow   mk235 1880 Oil on canvas 54x65cm
49883  
People Picking up the flower at the field, Mary Cassatt
  		 People Picking up the flower at the field   mk205 about 1875 Oil on board 26.6x34.3cm
3138  
Portrait of a Woman gg, Mary Cassatt
  		 Portrait of a Woman gg   1890 Canajoharie Library & Art Gallery, New York
49856  
Portrait of Alan, Mary Cassatt
  		 Portrait of Alan   mk205 about 1899 22.5x20.5cm
49800  
Portrait of artist, Mary Cassatt
  		 Portrait of artist   mk205 1878 oil on tempera 60x44.5cm
49829  
Portrait of Catherine, Mary Cassatt
  		 Portrait of Catherine   mk205 circa 1889 Oil on canvas 96.5x68.5cm
49876  
Portrait of Kelike, Mary Cassatt
  		 Portrait of Kelike   mk205 1910 Oil on canvas 66x52cm
49848  
Portrait of the lady, Mary Cassatt
  		 Portrait of the lady   mk205 1896 Oil on canvas 73.6x61cm
49821  
Portrait of the old wives, Mary Cassatt
  		 Portrait of the old wives   mk205 circa 1883 Oil on canvas 73x60.3cm
49890  
Reading, Mary Cassatt
  		 Reading   mk205 about 1901 Oil on canvas 56.5x112.4cm
54461  
Reading, Mary Cassatt
  		 Reading   mk235 1883 Oil on canvas
3187  
Reading Le Figaro, Mary Cassatt
  		 Reading Le Figaro   1878
49801  
Reading the book, Mary Cassatt
  		 Reading the book   mk205 1877 Oil on tempera 81.2x64.7cm
3139  
Reine Leaning Over Margot's Shoulder, Mary Cassatt
  		 Reine Leaning Over Margot's Shoulder   1902
54505  
Reine Lefebvre and Margot, Mary Cassatt
  		 Reine Lefebvre and Margot   mk235 c.1902 Oil on canvas
3158  
Sara Handing a Toy to the Baby, Mary Cassatt
  		 Sara Handing a Toy to the Baby   1901 Hill-Stead Museum, Farmington CT
58336  
Sara Holding a Cat, Mary Cassatt
  		 Sara Holding a Cat   Sara Holding a Cat, 1908,
92329  
Sara mit einem dunklen Haubchen, Mary Cassatt
  		 Sara mit einem dunklen Haubchen   1901(1901) Medium oil on canvas Dimensions 67.2 X 56.2 cm (26.5 X 22.1 in) cjr
49828  
Sarah wearing the hat and seeing left, Mary Cassatt
  		 Sarah wearing the hat and seeing left   mk205 1901 Oil on canvas 46.3x38.7cm
27067  
Self-Portrait, Mary Cassatt
  		 Self-Portrait   mk52 1880 Watercolour on paper 33x24.4cm National Portrait Gallery,Washington DC
49817  
Self-Portrait, Mary Cassatt
  		 Self-Portrait   mk205 1880 Oil on canvas 33x24.4cm
3179  
Self-Portrait bbnb, Mary Cassatt
  		 Self-Portrait bbnb   1878
49878  
sewing class, Mary Cassatt
  		 sewing class   mk205 1913 Oil on canvas 76.5x64.8cm
11420  
Sewing Woman, Mary Cassatt
  		 Sewing Woman   ca. 1880 -1882 3' x 2' 1''(92 x 63 cm)Gift of Antonin Personnaz,1937
49880  
Sleeping deeply Child, Mary Cassatt
  		 Sleeping deeply Child   mk205 about 1910 Oil on canvas 64.7x52cm
49871  
Study of Mother and kid, Mary Cassatt
  		 Study of Mother and kid   mk205 about 1905 Oil on canvas 92.7x73.5cm
49872  
Study of Zeny and her child, Mary Cassatt
  		 Study of Zeny and her child   mk205 about 1906 Oil on canvas 89x75cm
49845  
Summer times, Mary Cassatt
  		 Summer times   mk205 1894 Oil on canvas 73.4x100.3cm
3157  
Summertime, Mary Cassatt
  		 Summertime   1894
54489  
Summertime, Mary Cassatt
  		 Summertime   mk235 1894 Oil on canvas 73.4x100cm
58305  
Summertime, Mary Cassatt
  		 Summertime   Summertime, c. 1894, oil on canvas
3146  
Susan Comforting the Baby, Mary Cassatt
  		 Susan Comforting the Baby  
93251  
Susan Comforting the Baby No. 1, Mary Cassatt
  		 Susan Comforting the Baby No. 1   c. 1881 Medium oil on canvas Dimensions 17" x 23" cjr
49812  
Susan hoding the dog in balcony, Mary Cassatt
  		 Susan hoding the dog in balcony   mk205 circa 1880 Oil on canvas 100.3x64.7cm
49814  
Susan is take care of the kid, Mary Cassatt
  		 Susan is take care of the kid   mk205 about 1881 Oil on canvas 65x100cm
54503  
Susan on a Balcony Holding a Dog, Mary Cassatt
  		 Susan on a Balcony Holding a Dog   mk235 1883 Oil on canvas
58303  
Tea by Mary Cassatt, Mary Cassatt
  		 Tea by Mary Cassatt   Tea by Mary Cassatt, 1880, oil on canvas, 25 1/2 x 36 1/4 in., Museum of Fine Arts, Boston
49842  
The Baby Reaching for the apple, Mary Cassatt
  		 The Baby Reaching for the apple   mk205 1893 Oil on canvas 100.3x65.4cm
3147  
The Bath, Mary Cassatt
  		 The Bath  
30864  
The Bath, Mary Cassatt
  		 The Bath   mk68 Oil on canvas Chicago,Art Institute of Chicago 1892 France
58306  
The Bath by Mary Cassatt, Mary Cassatt
  		 The Bath by Mary Cassatt   The Child's Bath (The Bath) by Mary Cassatt, 1893, oil on canvas, Art Institute of Chicago
3165  
The Boating Party, Mary Cassatt
  		 The Boating Party   1893-94 The National Gallery of Art, Washington DC
40836  
The Boating Party, Mary Cassatt
  		 The Boating Party   mk156 1893-1894 Oil on canvas 90x117.3cm
54490  
The Boating Party, Mary Cassatt
  		 The Boating Party   mk235 c.1893/94 Oil on canvas 90x117cm
21598  
The Boating Party (mk09), Mary Cassatt
  		 The Boating Party (mk09)   c 1893/94 Oil on canvas,90 x 117 cm Washington,National Gallery of Art
34035  
The Boating Patty, Mary Cassatt
  		 The Boating Patty   mk87 c.1893/94 Oil on canvas 90x117cm Washington,National Gallery of Art
3132  
The Caress, Mary Cassatt
  		 The Caress   1891
31883  
The Child's Bath, Mary Cassatt
  		 The Child's Bath   mk77 1893 Oil on canvas 39 1/2x26in
72332  
The Child's Bath, Mary Cassatt
  		 The Child's Bath   "The Child's Bath," oil on canvas, by the American artist Mary Cassatt. 39 1/2 in. x 26 in. Courtesy of the Art Institute of Chicago, Chicago, Illinois. 1893(1893) cjr
80866  
The Child's Caress, Mary Cassatt
  		 The Child's Caress   Date ca. 1890(1890) Medium Oil on canvas cjr
84827  
The Child's Caress, Mary Cassatt
  		 The Child's Caress   1890(1890) Medium Oil on canvas cyf
95169  
The Childs Bath, Mary Cassatt
  		 The Childs Bath   1893 Type Oil on canvas Dimensions 100.3 cm x 66.1 cm cyf
3164  
The Cup of Tea, Mary Cassatt
  		 The Cup of Tea   1880 Museum of Fine Arts, Boston
3184  
The Cup of Tea 1, Mary Cassatt
  		 The Cup of Tea 1   1880
3159  
The Family, Mary Cassatt
  		 The Family   1892 The Chrysler Museum, Norfolk
3133  
The Fitting, Mary Cassatt
  		 The Fitting   1890-91 National Gallery of Art, Washington DC
49823  
The girl do up her hair, Mary Cassatt
  		 The girl do up her hair   mk205 1886 Oil on canvas 75.2x62.5cm
50560  
The girl do up her hair, Mary Cassatt
  		 The girl do up her hair   mk212 1886 Oil on canvas 75.2x62.5cm
49865  
The girl holding the baby, Mary Cassatt
  		 The girl holding the baby   mk205 1902 Oil on canvas 68.3x57.1cm
49862  
The girl holding the dog, Mary Cassatt
  		 The girl holding the dog   mk205 about 1901 Oil on canvas 64.7x49.5cm
49863  
The girl holding the dog, Mary Cassatt
  		 The girl holding the dog   mk205 about 1901 Oil on tempera 72.7x59.6cm
49875  
The girl holding the dog, Mary Cassatt
  		 The girl holding the dog   mk205 about 1908 Oil on canvas 64.2x53.3cm
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Mary Cassatt
1844-1926 Mary Cassatt Galleries Within months of her return to Europe in the autumn of 1871, Cassatt??s prospects had brightened. Her painting Two Women Throwing Flowers During Carnival was well received in the Salon of 1872, and was purchased. She attracted much favorable notice in Parma and was supported and encouraged by the art community there: ??All Parma is talking of Miss Cassatt and her picture, and everyone is anxious to know her??. After completing her commission for the archbishop, Cassatt traveled to Madrid and Seville, where she painted a group of paintings of Spanish subjects, including Spanish Dancer Wearing a Lace Mantilla (1873, in the National Museum of American Art, Smithsonian Institution). In 1874, she made the decision to take up residence in France. She was joined by her sister Lydia who shared an apartment with her. Cassatt continued to express criticism of the politics of the Salon and the conventional taste that prevailed there. She was blunt in her comments, as reported by Sartain, who wrote: ??she is entirely too slashing, snubs all modern art, disdains the Salon pictures of Cabanel, Bonnat, all the names we are used to revere??. Cassatt saw that works by female artists were often dismissed with contempt unless the artist had a friend or protector on the jury, and she would not flirt with jurors to curry favor. Her cynicism grew when one of the two pictures she submitted in 1875 was refused by the jury, only to be accepted the following year after she darkened the background. She had quarrels with Sartain, who thought Cassatt too outspoken and self-centered, and eventually they parted. Out of her distress and self-criticism, Cassatt decided that she needed to move away from genre paintings and onto more fashionable subjects, in order to attract portrait commissions from American socialites abroad, but that attempt bore little fruit at first. In 1877, both her entries were rejected, and for the first time in seven years she had no works in the Salon. At this low point in her career she was invited by Edgar Degas to show her works with the Impressionists, a group that had begun their own series of independent exhibitions in 1874 with much attendant notoriety. The Impressionists (also known as the ??Independents?? or ??Intransigents??) had no formal manifesto and varied considerably in subject matter and technique. They tended to prefer open air painting and the application of vibrant color in separate strokes with little pre-mixing, which allows the eye to merge the results in an ??impressionistic?? manner. The Impressionists had been receiving the wrath of the critics for several years. Henry Bacon, a friend of the Cassatts, thought that the Impressionists were so radical that they were ??afflicted with some hitherto unknown disease of the eye??. They already had one female member, artist Berthe Morisot, who became Cassatt??s friend and colleague. Degas, Portrait of Miss Cassatt, Seated, Holding Cards, c. 1876-1878, oil on canvasCassatt admired Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in 1875. "I used to go and flatten my nose against that window and absorb all I could of his art," she later recalled. "It changed my life. I saw art then as I wanted to see it." She accepted Degas' invitation with enthusiasm, and began preparing paintings for the next Impressionist show, planned for 1878, which (after a postponement because of the World??s Fair) took place on April 10, 1879. She felt comfortable with the Impressionists and joined their cause enthusiastically, declaring: ??we are carrying on a despairing fight & need all our forces??. Unable to attend cafes with them without attracting unfavorable attention, she met with them privately and at exhibitions. She now hoped for commercial success selling paintings to the sophisticated Parisians who preferred the avant-garde. Her style had gained a new spontaneity during the intervening two years. Previously a studio-bound artist, she had adopted the practice of carrying a sketchbook with her while out-of-doors or at the theater, and recording the scenes she saw. Summertime, c. 1894, oil on canvasIn 1877, Cassatt was joined in Paris by her father and mother, who returned with her sister Lydia. Mary valued their companionship, as neither she nor Lydia had married. Mary had decided early in life that marriage would be incompatible with her career. Lydia, who was frequently painted by her sister, suffered from recurrent bouts of illness, and her death in 1882 left Cassatt temporarily unable to work. Cassatt??s father insisted that her studio and supplies be covered by her sales, which were still meager. Afraid of having to paint ??potboilers?? to make ends meet, Cassatt applied herself to produce some quality paintings for the next Impressionist exhibition. Three of her most accomplished works from 1878 were Portrait of the Artist (self-portrait), Little Girl in a Blue Armchair, and Reading Le Figaro (portrait of her mother). Degas had considerable influence on Cassatt. She became extremely proficient in the use of pastels, eventually creating many of her most important works in this medium. Degas also introduced her to etching, of which he was a recognized master. The two worked side-by-side for awhile, and her draftsmanship gained considerable strength under his tutelage. He depicted her in a series of etchings recording their trips to the Louvre. She had strong feelings for him but learned not to expect too much from his fickle and temperamental nature. The sophisticated and well-dressed Degas, then forty-five, was a welcome dinner guest at the Cassatt residence. The Impressionist exhibit of 1879 was the most successful to date, despite the absence of Renoir, Sisley, Manet and C??zanne, who were attempting once again to gain recognition at the Salon. Through the efforts of Gustave Caillebotte, who organized and underwrote the show, the group made a profit and sold many works, although the criticism continued as harsh as ever. The Revue des Deux Mondes wrote, ??M. Degas and Mlle. Cassatt are, nevertheless, the only artists who distinguish themselves??and who offer some attraction and some excuse in the pretentious show of window dressing and infantile daubing??. Cassatt displayed eleven works, including La Loge. Although critics claimed that Cassatt??s colors were too bright and that her portraits were too accurate to be flattering to the subjects, her work was not savaged as was Monet's, whose circumstances were the most desperate of all the Impressionists at that time. She used her share of the profits to purchase a work by Degas and one by Monet. She exhibited in the Impressionist Exhibitions that followed in 1880 and 1881, and she remained an active member of the Impressionist circle until 1886. In 1886, Cassatt provided two paintings for the first Impressionist exhibition in the United States, organized by art dealer Paul Durand-Ruel. Her friend Louisine Elder married Harry Havemeyer in 1883, and with Cassatt as advisor, the couple began collecting the Impressionists on a grand scale. Much of their vast collection is now in the Metropolitan Museum of Art in New York City. She also made several portraits of family members during that period, of which Portrait of Alexander Cassatt and His Son Robert Kelso (1885) is one of her best regarded. Cassatt??s style then evolved, and she moved away from Impressionism to a simpler, more straightforward approach. She began to exhibit her works in New York galleries as well. After 1886, Cassatt no longer identified herself with any art movement and experimented with a variety of techniques.



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